#BuckFiftyADay Since March, 2014

#BuckFiftyADay Since March, 2014

Thursday, January 12, 2012

Nostalgic? Or correct?


I threw a status update up on Facebook yesterday and it drew an interesting reaction from friends of a certain age. On Tuesday, I'd gotten geared up to watch the Carolina-Miami basketball game, almost trying to will myself to care about the Tar Heels the way I cared about them when I was a student, oh, 30 years ago.

Around halftime, when I found it impossible to fake it any longer, I wrote:

"I'm becoming an old fart, for sure, because the way the Tar Heels play basketball bores me. I miss the days when folks cared about winning the ACC and the regular season didn't seem like spring training."

Am I being nostalgic? Or am I on to something?

Probably a bit of both. While my older friends seem to agree with me, that college basketball in the 80s was a lot more interesting, my younger friends (those in their 30s) seem to think the current game is fine the way it is.

I'm sure the business of college basketball has never been better. The number of games on television and the success of March Madness speak to that. But from a romantic point of view, I can't help but feel the game has taken a hit over the past 20 years.

Way back when, you threw up a year, 1977 or 1982, and you remembered big games for Carolina, and big plays, and where you were and what you said to your friend. Now, and I don't think it's just me who feels this way, with players coming into the program and moving on a year or two later, you just lose track of who did what and when.

The Carolina hoops game was not the only sporting event of late that's made me long for the good, old days. The Major League Baseball postseason is another thing that, for me, a guy who loves the game as much as anyone, has lost its..."unforgettableness."

In the years before 1996 and the extra round of playoffs, even a mid-level fan could remember what teams played in the League Championship Series and World Series. They could probably tell you who was the MVP. Who was the goat. In the years since '96, with three rounds of playoffs every season, I've simply lost track.

Bring up a player, especially if they're Yankees or Red Sox players, and ask me how he did in the ALDS or ALCS in a certain year and I'll shrug my shoulders. Long gone are the days when you associated names with moments and the years were indelible.

Again, I'm sure the business of baseball has never been better. Baseball is about to add another wild card for each league next year, which will create another layer.

More money, for sure. But more memories? I don't think so.

Tuesday, May 24, 2011

Coming Home


I have to laugh.

For the last 13 and a half years, I've written for ESPN The Magazine, and lived pretty much in anonymity. And then last week, I started writing a column for the Star-Ledger and, suddenly, it was like I'd become an overnight celebrity.

Old friends from high school, relatives I had not spoken to in years, basically a bunch of folks I'd crossed paths with during my lifetime as Jersey Kid now felt like I'd reached the pinnacle. And let me tell you, it's a good feeling. It's good to be home.

I grew up as Ledger kid, reading the words of Moss Klein and Dan Castellano every day with my Fruit Loops. A baseball-loving kid in the 70s and 80s loved the Ledger for Moss and Dan, but also for the full AP game story and box score with every MLB game. I know times have changed and all the boxes go on one page now, but as a kid who grew up loving Robin Yount and George Brett, I loved that I could read their game stories and see their stat line without having to turn the page. The Ledger was the paper of choice for a baseball fan. It was the only paper I'd ever need until the day I left for college.

Ironically, my first job in newspapers was writing for the Daily News, covering the Yankees in 1992. I always did my best, but I don't think I was ever viewed as a great, or even good tabloid beat reporter. My interest was never so much in trying to find out what George Steinbrenner was going to say, or what players (usually asking for anonymity) wanted to say something critical. My interest was always on the field, inside the game. And at times, I know my colleagues mocked me for that.

I'd miss out on some natural tabloid angle (sources say Danny Tartabull is miffed that he's playing left field and not right field) because I was talking to a pitcher about some grip-change he'd made, or to a hitter about something he was working on in the cage, and maybe I'd have a good story for the so-called seamheads, but I'd cost the News a headline. I would be the first to admit I was not a natural on that beat.

A lot of years have past since those days, 16 to be exact, and I have landed at the Ledger with the hopes that their readers are still the same as this Jersey Kid, oh, 35-40 years ago. Folks interested in reading about the game, the players, the characters. I hope they share my love of the good baseball story, because that's what I'm going try to bring them. If a kid could fall more in love with baseball the way I fell in love with baseball... because I wrote a memorable story, that would be pretty cool. About as cool as all the attention I've been getting this week.

It's good to finally be home.

Thursday, April 28, 2011

A Short Piece of Fiction about Hamburgers


I used to work at a burger place. The restaurant came about because this really big company with a really big name wanted to get into the burger business because they felt their patrons were burger people who would buy...you guessed it...their burgers.

We made very good burgers. We weren't the biggest or best burger place in the country, but we were pretty good. We were set up to provide burgers to burger-eaters. Nuf said.

Well, of course, times being as they are, we also had some salads on the menu. You know, even burger eaters, occasionally want some salad before they dig into their burgers. Not too much, mind you, but a little taste of something different can be nice.

The guy in charge of salad was not a burger eater. He was a salad guy through and through. Wore a beret, spoke in a language the burger people couldn't understand. A smart guy, but a salad guy.

Salad guy got good reviews from the folks in charge of the bigger company, and it started to go to his head. Suddenly, salad guy had opinions on burgers, even though he didn't like or know much about burgers. I mean, the guy never made a burger and rarely bit into a burger. How much could he know about burgers?

So anyway, the day came when the folks upstairs thought, "Hey, Salad Guy is smart and full of fresh ideas. I mean, he comes up with new salads all the time. Did you taste that Mango-Thai thing? Maybe Salad Guy should run the burger restaurant."

And so Salad Guy got his chance to run the show and what did he do? He turned a good burger place into a salad place. He'd have Avocado Mondays and Caesar Sunday. Some people thought the salad was great, but the people who loved the burgers, the people who were the reason for the restaurant in the first place, they didn't get it.

Some of the burger-makers became pretty good salad makers, but not me. My heart was still into ground beef and cheese and sesame seed buns.

And so I was told I wasn't needed or wanted any more.

The End.

Friday, March 18, 2011

Lost in Translation

It was 1993 and I was working for the New York Daily News.

Part of the drill each day was a phone call from our sports editor Barry Werner, who would always greet you with the same two-word question. "What's doin'?" Every day. Same two words.

My answer was usually one word, "Same." And then we'd begin to talk ideas. Normally those ideas pertained to New York baseball, which was my beat, but Barry was definitely not averse to big ideas. He actually liked to think outside the box and I think he knew I was a captive audience.

So after "What's doin'?" and "Same" were exchanged, Barry said, "How would you like to go to Japan?" My answer was quick. "I'd love to." Seriously, it's funny to say after the last 10 years have taken me all over the world, but in '93 I'd not traveled much, so the thought of a Far East adventure was very appealing. The thought of getting away from the Yankees and Mets for a week was even more appealing. Barry explained that he wanted a series of stories on baseball in Japan that would include stories on a couple of Yankees (Mel Hall and Jesse Barfield) who were playing over there. Barry said that he'd offered the idea to a more senior member of the staff, but when that guy said he'd go only if he got to fly a certain airline (for frequent flier miles) and stay at a certain hotel (for points), Barry figured it was time to call Bradley.

"If you can stay on budget, be my guest," Barry said. I can't remember what the budget was, but it wasn't a lot. He then gave me the address of Japan Airlines in the city and the name of their public relations director. I swung by the JAL office, met with the guy and things were in the works. Turns out the PR guy was a baseball fan and he immediately told me he could get me an upgrade to business class. He gave me a list of reasonably priced hotels and a book on everything an American would need to know when traveling to Japan.

But it turned out the most important thing he gave me was a number to the Foreign Press office in Tokyo. Didn't realize it at the time, but without that number I'd have been lost.

You'll soon see why.

NOBODY ON, NOBODY OUT

I was 100-percent solo on this trip.

In subsequent years, as more and more of my colleagues have made their way to Japan as part of American groups going over to cover games between Major League teams and Japanese teams, I've often scoffed at them and told my tale of 10 days in Japan on my own.

My hotel room in Tokyo was slightly bigger than a twin bed. The bathroom was no bigger than a phone booth. The sink was inside the shower. The toilet was just outside. I never figured out how to take a shower without completely flooding the place.

The only people I could find in Tokyo with any English speaking skills were school kids. They could say a few words. Adults basically knew nothing.

In and around Tokyo, at least I could read street signs because they were written out phonetically in our alphabet. But about 20 miles outside Tokyo, there were no phonetics.

I think it was on Day 2 that I looked down at my tip sheet and saw the number of the Foreign Press office and decided to dial it up. When I started speaking in English, there was dead silence for a few seconds and then there was a voice saying, "Can I help you?"

NO STRINGS ATTACHED

We complain a lot (don't we?) about all the things that keep us wired 24-hours a day. The internet and email and Facebook and Twitter and TXT messaging.

In '93, we had none of that. And I wish we did.

Because I don't remember his name. And I really don't remember what he looked like. All I remember is he made my trip to Japan work.

I called him "Sonny."

I called him "Sonny" because when we met at his office and he asked where I was from, I told him "New Jersey" and he immediately told me, "I'm a big Bruce Springsteen fan."

But that wasn't it. He told me how, in his early 30s, he felt such a connection to Springsteen's lyrics. That he was just a guy who got up every morning and went to work each day.

He was a die-hard.

And when I asked him what his favorite Springsteen song was, he said, "Racing in the Street," which happens to be my favorite all-time song (live, of course). So I began to call him "Sonny," as in "Me and my partner Sonny." He loved the name, and he called me "Boss."

Sonny loved Racing for the same reasons I love it. Because it speaks to man's need to have something in his life that makes him feel alive. Even in times when everything else around you seems wrong, there's got to be one thing that feels right. He was married with kids. I was engaged and getting ready to begin the next phase of my life. We shared a number of meals together, and a few Kirins. He wasn't much of a baseball fan, and that didn't really matter.

Sonny had a handful of friends who could speak English and he made sure I met them all during my stay. He made sure whenever I went to a ballpark I had "an appointment." In Japan, you just don't show up at the ballpark and expect to get your interviews. "You need an appointment, Boss." And so Sonny would make all the necessary phone calls. Send all the faxes.

And my trip was great. I wrote a series for the Daily News on baseball in Japan and it was picked up by a number of papers across the country. In my years at the News, it's probably the work of which I am most proud. Without Sonny, I'd have had no chance.

SUMMER'S GONE

I have no way of figuring out his name. I've never been much of a hoarder. I throw out old notebooks. Got rid of my clip files years ago. I wouldn't know where to begin.

Friends come in so many different forms. There are lifelong friends and fair weather friends and friends of convenience. But Sonny, he really had no reason to be my friend.

Yet for those 10 days in Tokyo, I can't imagine I've ever had a better friend.

And I can't stop thinking about him.

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Friday, January 28, 2011

Look at Me!

So, it's time to blog again. Always weird when you take some time off and you want to get something fresh on the site, just to keep the calendar moving, and to change the appearance that your blog/website is dormant. And that you're a total slacker.

But what to write about? You know I can't write about sports here. Well, not sports in a direct kind of way. I can write about sports, so long as it's not sports that anyone cares about.

Great, right? I'm trying to convince you now to read about something that I'm guessing no one cares about. Well, it's my blog and I'll do what I want to.

I'm going to write about my fitness regimen. Lock in, baby, and get ready to read about my six-pack abs!

Kidding.

Are you familiar with P90X? Well, for the last four months, I've been working out six days a week on that killer program. Part of what you're expected to do in P90X is take before and after photos. I skipped that part, and honestly, I'm way too self-conscious (and hairy-chested) to put up any topless shots of myself.

So, how do I look? I guess OK. Am I chiseled? No. Ripped? Not a chance. Toned up? Yeah, I guess if you go by what I looked like pre P90X, I've toned up a good deal.

I still look way better with my clothes on.

Truth be told, it took me four months to work up to P90X. The first time I attempted the workout, I dove right in, attempted to do all the push-ups and pull-ups that are assigned on the very first DVD and, well, it nearly killed me. I took my family out to dinner the night after that first workout, sat down at the table, looked across at my wife and said, "Keep an eye on me. One of two things might happen. I might pass out. Or I might vomit."

She laughed and I said, "I'm not joking." Thankfully, I didn't pass out and I didn't puke. But I felt absolutely awful. And that was nothing to the way I felt over the next -- believe it -- three weeks. Yes, for 21 straight days I was unable to perform the most basic motor skills. Things like grabbing a coffee mug out of the cabinet, opening a car door, created incredible pain.

I hate failing at things, so when all the soreness went away, I backed up to a program called Power 90. It's a workout designed by the same trainer, Tony Horton, but it's:

A. A lot easier.
B. Funny to watch because it's so low budget and dated (who wears short shorts?).

The great thing about Power 90 was, simply, that I could do it. And I did it for all 90 days, 33 of which were spent in various hotels in South Africa. Having completed that routine, I decided to try P90X again. And, guess what, I've been able to complete it...and start it again.

A few things. I can't do the pull-ups. They demand a lot. I can only do a few. So, I hang resistance bands from the pull-up bar and improvise that way. Also, unless you starve yourself (aka the P90X diet), you're probably not going to burn enough calories to get all ripped up. There's not a lot of cardio in P90X, unless you do what they call "doubles."

I don't do "doubles."

Another thing about P90X is they encourage you to become a "Beachbody Coach." This is a multi-level-marketing thing where, if you agree to get some amount of products every month, you can get others to join the same program and make a few bucks.

I'm guessing that those who are successful "Beach Body Coaches" look better than I do. But that's OK. I'm improving day-to-day and proud that I can simply say, "I did it."

And I'm going to keep on doing it.

Do you care?

Tuesday, November 16, 2010

Me and The Promise

I was an eighth grader when I purchased the album Darkness on the Edge of Town. Actually I purchased the cassette. Probably at Korvette's in West Orange. Maybe at the music store on Bloomfield Ave. in Caldwell. Probably at Korvette's because it would have been 50 cents cheaper.

I had a little yellow Panasonic tape player that served as my stereo, even though it wasn't actually a stereo. One speaker. The seven or eight bucks I spent on Darkness had a negative impact on my ultimate savings goal, which was the $100 or so it would cost to buy a boom box.

From the first drum beats (duh-duh dum-dum, duh-duh dum-dum) that led me into Badlands, I just knew I was listening to something different from anything my ears had ever heard before. I was 15 years old, living in the most affluent of New Jersey communities, so I'm not sure what the lyrics meant to me. But I knew I liked the stuff like, "Poor man wanna be rich, rich man wanna be king, but a king ain't satisfied 'til he rules everything..." It sort of made sense. Maybe not.

I just knew that it was moving me.

Next came Adam Raised a Cain, which sent chills down my spine. I grew up on Jim Croce, the Beach Boys and Simon and Garfunkel and wasn't really prepared for this kind of anger.

And I loved it. Why? Not sure.

I won't take you song by song through the album because, chances are, if you're reading this you know all about it. I won't say Darkness became "the soundtrack to my life" (even though it's true) because that's become the most ridiculous of Springsteen cliches. But I will tell you this...

I listened to it over and over. Thirty-two years later, I can still sing every word without hesitation. Not only from the studio album, but also from the bootlegs I started collecting later in high school and college. For example, in Prove it all Night, on the album it's "I've been working real hard tryin' to get my hands clean" while on the bootlegs (circa '78) it's "I've been working real hard, to get my hands clean." Years later, when me and my buddies would be singing out loud to the album, we'd often inject the subtle changes from the bootleg lyrics, simply to pronounce our superiority over what we considered to be pseudo Bruce fans. You know, the folks who shout "Born to Run!" and "Hungry Heart!" throughout a concert.

I think it was the live performances of Darkness that made this album my favorite of all-time. And it's been cool to hear Springsteen during his recent interviews admit that these songs, while full of...darkness...come to life in a different way when performed live.

Again, if you've made it this far into this post, you know that in the studio, songs like Badlands, Prove it All Night, Promised Land and the title track do not even come close what you experience live. I do not know that I can say the same thing about Springsteen's other albums. I've never really needed to hear Born to Run or Jungleland live. Not that I don't enjoy those songs live. But there's something different about the songs on Darkness. I can only describe it as emotion.

I'm not even sure it's the lyrics that strike the nerve. I have these 25-year old memories of laying on my bed in the house where I was living in Germany in the summer of 1985, listening on my walkman to a bootleg version of Racing in the Street, which runs for more than 10 minutes. I remember how I could feel Gary Tallent's bass line deep in my soul. How I could close my eyes and listen to each note of Bruce and Steve Van Zandt's electric guitars. And how I would actually get a lump in my throat, sometimes a tear in my eye as Roy Bittan carried the piano "out-tro" on and on and on... I once read how Pete Townshend of the Who mocked Racing in the Street because it was just the quintessential Springsteen song about cars and girls. But it's not.

I realize that now. It's not about cars and girls. I don't think so.

Today Springsteen releases The Promise box set. I've heard the whole thing already and it's a dream come true for any Springsteen fanatic. You've got cuts you've heard on outtake bootlegs. You've got songs that were handed over to others. What newer Bruce fans may not realize is that, if you were from Jersey, back in the late 70s and early 80s scoring a ticket to a Springsteen concert was like getting a ticket to the Super Bowl. How many folks do you know who've been to a Super Bowl? Telling someone, "I saw Bruce live" was akin to that. It was a badge of honor.

As an aside, the next best thing back then to going to see Bruce was going to see Southside Johnny at the Asbury Jukes, usually at a college somewhere. My first-ever concert was Southside at Princeton's Dillon Gym. My second-ever concert was Bruce at the Garden. I can thank my brother Bob for both of those experiences, and I'm forever in debt. Can you imagine being a 21-year old recent college grad and taking your 16-year old brother to a Bruce concert? Back on point, in the late 70s, Bruce was handing over songs to Southside. Songs like Talk to Me and Hearts of Stone. Great songs that Southside sung soulfully. Well, on The Promise, Bruce unleashes at least half a dozen songs that, when you listen to them, you say "Southside."

It's like being able to relive a part of my life.

A couple of weeks ago, I ordered HBO for one night ($1) so I could watch the documentary about the making of Darkness on the Edge of Town. In this weird way, listening to Bruce talk about the album has helped me understand what I was feeling, yes, back when I was 14.

What Bruce was singing about, turns out, is the thing I've struggled with my entire adult life. And that's the guts to stand up for what you believe in. Darkness did not come out for three years after Born to Run because Springsteen was fighting against a manager who enticed him into signing a bad contract. Springsteen didn't want anyone controlling his writing or his music.

For my entire professional career as a writer, I've let others call the shots. It's how I've put food on the table for my family. There have been times when I've stood up for myself, insisted that its my story and they need to be my words, but many more times when I've compromised because of what needs to be done to please the guy who writes the checks.

Thankfully, Springsteen had the guts, the faith to stand his ground...yeah, I'm plagiarizing.

Not many of us do. And maybe that's why Darkness remains my album.

Tuesday, September 21, 2010

The Power of Having a Friend Like Johnny


Here's the "speech" I delivered last night, at the Ninth Annual John P. Salamone Memorial Foundation Golf Outing. What an honor to be a part of this event. All thanks to Johnny's dad, Bud Salamone.


Eight years ago, we stood on the putting green at Essex Fells Country Club, under a cloudless blue sky, and prepared to participate in the first John P. Salamone Memorial Foundation golf outing. I remember how Johnny’s dad, Bud, could barely speak as he welcomed everyone to the event. There was not dry eye to be found.


I remember how everyone came to the outing, check books in hand, looking to help out. The tragedy of September 11th was still so fresh in all of our minds, it was almost like therapy, to be a part of the event, to contribute to a foundation named after Johnny.


But more than anything, I remember how when the crowd had thinned out, a handful of us lingered at the bar with Bud. It was Johnny’s old posse. It was Kenny Turnbull and Tommy Paranzine. It was Greg Vassallo and Pete Veritas and Brian Campolatarro. Slowly the tears turned to laughs as we began to tell Johnny Stories. Remember The Time when??? stories.


I think a group of us sensed something during that part of the evening. That, even though this was just the first year we’d gotten together to remember Johnny, that this outing HAD TO BE an annual event. For one thing, it was great to see Bud’s face, as he heard a few tales about his son that I’m sure he’d never heard before. I mean, what father wouldn’t be proud to learn that his son was a shark, a hustler, a con artist?


But the after-hours stories, I think, made it clear to us, to Johnny’s closest friends, that the power of HAVING a friend like Johnny, had to outweigh the sorrow of LOSING a friend like Johnny. And that this golf outing was going to endure, if only for the group of us to take a break from work and family and everything else, and get together once a year to remember and celebrate all that Johnny brought to our lives during his time on earth.


As I drove home, back to the shore, that night, a few things crossed my mind. One was this: As long as we could keep this event going, I was going to be a part of it. Another was this: how the hell did Johnny Salamone become a member at Essex Fells Country Club? Didn’t anyone on the selection committee get wind of the way Johnny terrorized me, probably the only member of Essex Fells Country Club he knew back in the day?


Seriously, as we stand here today, I can’t help but think back to my first rides on a school bus down Green Brook Road, from Essex Fells to West Essex. Understand, half the kids I went to elementary school with ended up in places like Montclair Kimberly Academy, Newark Academy or Delbarton. Why? Because West Essex had drugs…And Italians.


Walking through the doors at West Essex for the first time for an Essex Fells kid is about as intimidating an experience as you can imagine. I mean, a seventh grader from Essex Fells doesn’t typically have a hairy chest, a tattoo and a pack of Marlboros in his back pocket. OK, that’s an exaggeration, but it was kinda scary for those of us from the Fells.


I know, more than anything, I wanted to fit in with the cool kids. Unfortunately – or perhaps fortunately – there was Johnny Salamone, to make sure I was never, ever, ever going to be cool. In fact, the cooler I wanted to be…the less cool Johnny would let me be.


During the feeling-out process at West Essex, where kids from four different towns are suddenly merged into one school, most kids seek acceptance, a group of kids they can hang with, eat lunch with, maybe play on teams with. Very few kids are willing to step up and be leaders. My group…many of whom are here tonight…well, we had Johnny.


You think you’ve picked out the right shirt, the right jacket, the right sneakers, there’d be Johnny to say, “Bradley, what are you wearing? Are those Garanimals?” You think you’ve done a good job with the Clearasil, covering the big pimple on your face, there’d be Johnny to say, “Nice zit, Bradley.” You want to look cool in the junior high cafeteria, when you’re first hoping the girls will notice you. Forget about it.


Nine years ago, I wrote a little tribute about Johnny for espn.com, remembering a teammate. One of the stories I told was about the game – if you want to call it a game – Johnny invented during school lunch.

It was called “Fresh Bait.” The game went like this. During lunch, if you put your hands down on the lunch table, anyone in the group was allowed to pound it with a closed fist while yelling, “fresh bait!” I don’t remember anyone in the group being very good at the game, except Johnny. You’d be finishing up your tater tots, and without thinking about it, you’d put a hand down on the table to suddenly feel Johnny’s fist, bashing it.


You could not help but feel the pain. You’d want to kill Johnny. But when you’d look up at him, all pissed off, Johnny would shrug and say, “You know the rules, Bradley.”


Bradley, Bradley, Bradley.


In fact, I never remember Johnny calling me by my first name, though he did refer to my mom and dad as Mary and Jerry. And our coaches were never Mr. Albanesius, Mr. Ortiz or Mr. Silva. They were Hughie, Tony O and Felipe. And Johnny could do spot-on impersonations of each of them. There was Hughie’s angry face. Tony O’s perplexed look, and Felipe’s Spanish accent. We’d lose a game and were supposed to be upset during the busride home, and there’d be Johnny imitating the coach. Making us all laugh.


I don’t want to make it sound like Johnny wasn’t a serious athlete. He was. He was a great competitor, and an even better teammate. But it was almost like he had a sense, even back when we were kids – when we believed the wins and the losses meant so much – that what really mattered was the time we spent together. That when it was all over, it was those moments on the bus, or in the lockerroom, that we’d remember most of all.


Johnny was right. And that’s why we do this every year. And why we need to keep doing this every year. So we never, ever forget Johnny and those moments we shared together.